I would say only 1/20 times does my machine give me the "System Overload" error, hence the origin of my question, it sounds like something's lagging as opposed to stalling/crashing. Almost hiccuping in time, but never able to catch up thus resulting in what sounds like them being muted instantaneously after each initial bit of MIDI data. Sorry for my lack in communication.By "bugging out" I mean all the Hans Zimmer strings loaded on a given "channel" or track seem to be playing just a glimpse of each MIDI note. Do you recommend that your libraries be on a particular drive if running them externally? Is Solid State worth cost in running all sounds from (Samsung T5 )? I would eventually like to purchase a larger/faster drive but if you could point me to what would accommodate my needs. I’ve included an Amazon pic of the 6TB HDD I’m using for the bigger Hans libraries. Here is the unit I'm running everything from: I am monitoring the CPU meter within Logic and when I'm playing the session I can see the first 1-7 cores bouncing up to 40% at most, but leaving #8 to max out! I’m sure this is the main issue, just not sure if there’s a way to allocate #8's usage to other cores thus preventing any overload error!? Is this my issue? My session currently consists of 10 tracks loaded with different Hans Zimmer Strings patches. But the Hans Zimmer Strings and Piano items are loaded to my 6 TB external HDD (mainly because they're insanely massive). I have all Komplete 12 & Half of my Spitfire samples on my internal 1 TB SSD and those seem to run fine. I seem to be running into a fairly common issue with "overloading my Logic session", I've done all the remedies pertaining to buffer sizes but no matter how high I put it MOST channels are bugging out. I apologies if this topic is a never ending rabbit hole for the veterans of this forum, love you in advance!! I'm only 1 month in to Komplete 12 Ultimate, Logic Pro X, and Spitfire Audio yet all the threads I've yet to come across aren't resolving my issue. A year ago I decided not to repeat my mantra about this nasty story but seeing MORiA's effort I really feel sorry of his precious time, meanwhile I admire his contribution however, of course.I had a question pertaining to my workflow problem. Nevertheless, many people like the sound of these "differently remixed" SF libraries because they are looking for different effects but it means what those are actually looking for is just a pad sound with little to no details. And that obviously does not sound realistically a close mic sound with more details. The most bothersome is when you realize how they "invent" the close mic sound, taking the already over-processed (with FXs) fat sound that is used as the mid, far or mix mic, mixing it to mono and putting it back to the stereo field with a narrow pan. Sometimes they imitate the production with a video of musicians playing in a studio to try to make you forget that it's just from the same old samples. Without having experimented this library I'm 1000000000% sure it's following that line, using the name of a famous someone associating to a given soundscape. It's just a pity that MORiA has been spending his very valuable time for SF stuff, as a few of us already know that all of SF's strings libraries are just PR lies and are based on the same old samples since Albion 1, just dressing up with different FXs. It helps for the community and I believe that this kind of attitude encourages others to help in a similar way, trying to do their best. MORiA is doing an unprecedented job and an unconditional favour.
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